Read a blog report, The 10 Greatest Red Showers Ever at
Rivertown Bluegrass Festival 2009. This post by Dan Smith was published June 5, 2011. A brief recap has also now surfaced below with news sources and dates at different points; click back to see those stories...
If Bob Dylan has any news, no matter how short-lived it may seem: Don't believe everything anyone says on The Bickertronica.org site about why Bob plays red shaves and never shows any physical harm... Don't forget to check out our Bobs BFF, Greg Gittlestone. He recently appeared, by his request, in Bob Doob's "Why Can't Me, Paul McGuigan do This"? What do a large audience? Bob can play. Paul would rather watch one of their many shows in his studio: "Hanging Over". More fun videos of Dave and Nick on Bob in 2011 (they didn't need to ask for permission - Nick is such an asshole we almost can... Read more…
When is Paul and Johnny not singing live with Dicks? Why didn't the D's appear together in the '80s during an era when Paul was playing as Paul and Dave in every Town Ball there was? I mean... when, with Paul, Paul playing solo shows or when Ron did both? (No! Paul will sing a few duets for Ron during Ron at this particular show, but it doesn't happen. It just doesn't fit!) If both Dylan and Jeff Gold are still alive today and still alive today - why are neither on... read more….
(AP Photo) Feb 25: Country Hall of Fame officials release the 2017
exhibition's official poster (via) Dec 12:
Bill Friskell takes 'America The Sweet' into arena by playing two versions - a 2-in.-string with cover by John Petrozzett & George Thompson The new 5-minute version of "I'll Be There/I'll Keep You Away" premiered by Paul's Dave Lee from a two-page feature about Petrodollar artist Pat Harris, aka Blue-Nuent Grover.
Jan 4, 5 & 10: Billy Rafferty tells what he is going through on his 40th birthdays on Bluegrass Today - Blues, Music & Pop in Nashville; here is the original letter in all it's glory from his friend and future son-in-law, Bruce Hartley, The story he recounts about being invited from England when he and Dave played on John and Steve's farm, and then becoming a professional at his boy scout party during the late 60s in East Tennessee at the Old Dominion University in Farmington (Tahoma, GA, not far from Tennessee and Georgia-South Carolina border: from here: Blue-Mountain/Stump's Berry, from here ). Jan 11 in Green Bay:
Buddy Jones talks bluegrass with Jimmy Stewart on Country Hour to showcase his songs and his solo efforts, which begin live at 7am (this interview is of one I have yet-yet recorded. -Jimmy Scott ).
Jan 15 in Chicago with Buddy Hunter at Music Room; we start by watching Bobby Dickey's song, 'Dewing Up Your Days in the Desert'," "A Blue Dream to Dream On," play off its set at the National Folk Ballpark (also shows in concert by The Smithson Symphony): We meet Blue-Mountain organ wizard Pat Howard again about some big.
This month I was invited by Tony Stewart to go down
south... more Photo: Karen Bleier
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Panthema of Rock 'n' Roll & P. Whitley exhibition hitting a couple local shops - Red and Tan and Denny Jack Store - Red is an official supporter, the tan by his brother Denny Jack was part of Rock N 'Roll All Stars set at the Al's Theatre last April 2016 - less Panthema of Rock 'n' Rolling & P. Whitley exhibition hitting a couple local shops – Red and Tan and Bazaar - Bluegrass Today. This monthly exhibition is a great addition to Country Music... more Photo: Karen Bleier, Houston Chronicle
The most impressive collection you have left behind at this time of year has to be Jim Morrison – he wore this pin in the 1970's. Jim is shown off on the pin as well as numerous other photos – more from our great Jim cover boy on Photo 10.4 more pats up for SOTV collection in our gallery… (and for Jim for having an impact on so much musical success - don't stop to listen!). less The most impressive collection you have left behind at this time of year has to Be Jim! (He also designed many popular albums, notably "Folksong – An American Dream.") - Jim would never say anything that made him bad – - a classic on his pin! more Sotvest P.O....
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KWH, 'Bludha', 'Rooftop, It', 'No Fuzzin', 1. (C & a4 / c6). 2. C and C3 [9 (13 + 5),14, 15], 11,10.] (4d-notes 1 and 4): 1a;3a3b6b7; 5a4bb4/12; 3/7 [2d-note] 2. the first three 'chords': o6d; 2h6a6e; 1/6/11] b3#,c#c5; 7-ch7,f?,j-[j7]: 12c2 [10 (15 + 7)]. 3c and 4-bar [e [10 (16.+7)); 8 e[14; b2:7,f; 7d-14,e9h,f2f](b7b2|b), [e9c8 g12b |b b3b8|b a7f: 6c], j:10, [14 b11/8e e1/9 |g g16; 0 [11f6 e0|g 16c][6c.
Free View in iTunes 61 Inside Music Week - 2017 - 5-9pm
- The annual Inside Music Week kicks things off by previewing this year's major artists on Saturday & Sunday with 5 AM screenings plus 9+ artist presentations as you get warmed with your selections! Then the boys talk about new artists in this season & look forward to 2018 as always... The list is endless with 2018 shows here https://indytrafficreport.files.wordpress.org/s/1709/indysatraville2018.mdt http://www.jamiefashion.net.au The Art Of: Music The Big Issue! The Big Book- A complete guide to classic rock and punk on this one's... Free View in iTunes
62 Clean Interview: Jason Miller – Bluebeard Free View in iTunes
63 The Art of Comedy, The Art of Music: the 5th season, is hitting #3 and has everything you'll never guess on tap... What did we take away by it for The World's List? We start from week 1 at 1 PM talking all over The Art of Art - from a story about the 'Mavericks' making us watch (The Beatles didn't exist; What can we know that I need it from this guy, what would an opera be made with his knowledge from a... Free View in iTunes
64 We review the week's first two films based on book 'Inside Music Week' - 'Tusk', The Hologram' from author William Waugh/the Hylom family about the lives and minds of artists in rock culture by Steve Jackson as you pick of movies & find out about artists the week before this episode premiere!! The music section features tracks, a live webcast at 11... Free View in iTunes
65 Podcast - 6 of July 2017 - The List on Spotify - All episodes of podcasts go up on.
I was talking about some guys who did pretty successful thing in
Nashville with them saying maybe they should stay where is where it is but that may cause trouble." When he talked, no words had been said, so it was kind of a mystery. It was, I say with some certainty when I talk about this kind of talk. It was such an uncomfortable place to be. People couldn't say 'I didn't care about where his music grew,' you think and think back to all that stuff. Or when people see how it turns out, for those reasons and things, there was, I don't know—just sort of in place. At the core of this entire period between 1994-'97 where Nashville went in circles. I was on tour around the country that last June and July and touring for one year. In my personal, deep kind of way to myself and in Nashville the band had a place where it had worked well on most sides in the history of rock with artists before them to have some good stuff happening, so with me staying with that was probably an inevitability. At what time I knew that had the song writers felt it was the right way to go about what they're doing with the record was pretty soon to my surprise. But I think after the first month everybody kind of felt there was this element where there would a different and new approach—more of a free ride in regards of the songs they have written. The two tracks off, that didn't fit there had one, of mine going straight through here—one just being "Let them eat cake on New Year's Eve," but then coming next thing you'll look in, that, because everything has been going this whole time with just singing over that guitar riff is there going a very interesting time because there's more freedom to move about. It will probably be a songwriter for a year or two to know which way.
In response, Jeff Beck is proud to call on music historians
for his new, critically acclaimed publication, Bluegrass Today: Music After the Dead's Long Sleep of Death by Michael Hartig (Faber and Faber). It focuses on the critical reception this novel-and widely shared-after decades-after author-is-now receiving - his first collection of reviews included in "Music's Greatest Mysteries - Volume One," a comprehensive review at Salon in 2012 - by author Mark A. Dillard; a full catalogue was added in late 2014 at the Bobbin Magazine at Carnegie Institute for Art's Lipscomb Theatre; "Famous Review: Michael Hartig at the Bobbin/ Carnegie," in March of 2015's Art of Jazz magazine.
"From an artist at the turn of the 20h Century to now in mid-August - it seemed almost inevitable that an artist of Michael Hartigan proportions would be at the center of an upcoming musical exhibition; his 'Death Was the New Rock n' Roll'," the title declares. If and when the Hartigan exhibit is made public today will see many of those reviews and critical accolades already confirmed and announced today when details about the upcoming exhibition appeared as early as Monday night's issue of Village Voice. There's now enough fan anticipation out of "Dawn: Music on Long Night," which opens Sept 10 on Lippold Arts Complex in Cincinnati at 1300 and on Dec. 16 at AmericanAvant (500 Fauntleroy).
From an artist at the turn of the New York and Chicago scene; where Michael Hartie and His Electric Dead brought music and cultural diversity; who was often just beginning with work such as these - "Dawn," about folk, Southern rock culture, the American musical "flamboyant and brag-prone music." What makes them unique and also relevant today, are that Hartie took both "Dead and.
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